The Grey Area is an intimate look at women’s issues in the criminal justice system and the unique experience of studying feminism behind bars. Through a series of captivating class discussions, headed by students from Grinnell College, a small group of female inmates at a maximum women’s security prison in Mitchellville, Iowa, share their diverse experiences with motherhood, drug addiction, sexual abuse, murder, and life in prison. The women, along with their teachers, explore the “grey area” that is often invisible within the prison walls and delve into issues of race, class, sexuality and gender

The Gulabi Gang is an extraordinary women’s movement formed in 2006 by Sampat Pal Devi in the Banda District of Uttar Pradesh in Northern India. This region is one of the poorest districts in the country and is marked by a deeply patriarchal culture, rigid caste divisions, female illiteracy, domestic violence, child labor, child marriages and dowry demands. The women’s group is popularly known as Gulabi or ‘Pink’ Gang because the members wear bright pink saris and wield bamboo sticks. Sampat says, “We are not a gang in the usual sense of the term, we are a gang for justice.” The Gulabi Gang was initially intended to punish oppressive husbands, fathers and brothers, and combat domestic violence and desertion. Gulabi Gang, the award-winning documentary by Nishtha Jain, pulls us into the center of these blazing conflicts, uncovering a complex story, disturbing yet heartening.

Although the Civil Rights Act of 1964 legally desegregated the South, discrimination was still rampant in certain areas, making it very difficult for blacks to register to vote. In 1965, an Alabama city became the battleground in the fight for suffrage. Despite violent opposition, Dr. Martin Luther King Jr. (David Oyelowo) and his followers pressed forward on an epic march from Selma to Montgomery, and their efforts culminated in President Lyndon Johnson signing the Voting Rights Act of 1965.

Latvia, the late 1920s. Anna, a young woman, pretty and educated, falls in love with an adventurous entrepreneur, 30 years her senior. But with marriage comes great jealousy, and the entrepreneur hides Anna away in the forest, far from other men, where she bears him eight children. The Great Depression hits them hard. Then Latvia is overrun with invasions by the Soviets, then the Nazis, then the Soviets once again. Anna is a pillar of strength, defying the hardships, raising her young, teaching them survival secrets of the forest. But something inside her is terribly wrong. Years later, Signe, a young artist, asks her father, "how did my grandmother die?" Her father is evasive. His seven siblings are evasive, as well. Signe strongly suspects that Anna committed suicide. Clues of mental illness had always leaked through the family stories. Signe suffers from depression herself. Her suicidal fantasies get her locked away for four months in a Soviet mental institute. Three of her cousins, all women, battle madness, as well. Could there be a link between Anna and the four granddaughters? Defying the stigma that silences so many, Signe takes us on a journey deep into her own depression where she looks to confront the family demons.

From her first day of competition, reigning Canadian downhill mountain bike champion Michelle Dumaresq has been shaking up the world of sports. But it's not her riding talent that's sparked controversy and international media attention - it's the fact that for the first 20 years of her life Michelle was Michael. Shot over two years, 100% Woman is an adrenaline-fueled ride-along on Michelle's controversial foray into international women's competition. Combining verite scenes, interviews, home movies and dynamic footage of some of the best mountain bikers in the world, we follow Michelle from her first local race, to the World Championships where she makes history as the first transgendered athlete on a national team, to the glare of the media spotlight.

Alice Wu, a software-engineer-turned-filmmaker, wrote and directed this semi-autobiographical film. Wil, a young Chinese-American woman, has her life turned upside-down when her pregnant mother moves in with her. Wil must figure out how to balance her family, her job, and her budding relationship with a dancer named Vivian. Within their traditionalist Chinese community, Wil, her mother, and Vivian are all in search of acceptance and the courage to do what makes them happy.

10-year old Laure is the new kid in town. Preferring to dress in androgynous clothing, Laure introduces themself as Mikael to the local group of kids and soon forms a bond with a neighborhood girl, Lisa. At first, Laure/Mikael’s little sister Jeanne is the only one who knows their secret; but with the new school year fast approaching, the truth will inevitably be revealed. Celine Sciamma’s charming film explores issues of youth and gender identity and the resilience of family and friendship.

Wadjda is a movie of firsts. This first feature film shot entirely in Saudi Arabia is the story of a young girl living in a suburb of Riyadh determined to raise enough money to buy a bike in a society that sees bicycles as dangerous to a girl's virtue. Even more impressive, Wadjda is the first feature film made by a female Saudi filmmaker. In a country where cinemas are banned and women cannot drive or vote, writer-director Haifaa Al Mansour has broken many barriers with her new film.

The Supreme Price is a feature length documentary film that traces the evolution of the Pro-Democracy Movement in Nigeria and efforts to increase the participation of women in leadership roles. Following the annulment of her father's victory in Nigeria's Presidential Election and her mother's assassination by agents of the military dictatorship, Hafsat Abiola faces the challenge of transforming a corrupt culture of governance into a democracy capable of serving Nigeria's most marginalized population: women.